EO at the Monteverdi Festival, Cremona 2023

24 JUNE 2023

Music and the senses of the soul | La musica e le ragioni dell’anima

MONTEVERDI | CAVALLI | CARISSIMI

Saturday, 24th June, 2023, 20.30 
TEATRO PONCHIELLI DI CREMONA

This performance piece is framed as a musical monologue centred around the number 12.

Kieran White  Haute-Contre
Marcio da Silva 
Music/Stage Director
Francesco Vitali 
costume/set/light designer
Alec Boreham 
Assistant designer


Ensemble OrQuesta Baroque:
Edmund Taylor 
Violin
Kirsty Main 
Violin
Christopher McClain 
Viola
Nathan Giorgietti 
Gamba
Pablo Tejedor-Gutiérrez
Cello
Paul Jenkins 
Recorder 
Céline Pasche 
Recorder/Harp
Cédric Meyer 
Archlute
Stephanie Gurga 
Harpsichord/Organ
Marcio da Silva 
Harpsichord/Baroque Guitar


GIARDINO22 ARTLAB MILANO, AUDIOLUCI.COM
 Video projection

Music/Stage Director Marcio da Silva
Designer Francesco Vitali

Director’s note.

MARCIO DA SILVA

For me, the essential inspiration for this production was the vibrant music of Monteverdi, and the extraordinary ability that he and his contemporaries had to convey the vivid tapestry of human emotions through their music.

By selecting a pasticcio of 12 arias and ritornelli, I have endeavoured to use Monteverdi’s musical world to narrate the abstract life journey of a symbolic or representative man, with each musical interlude representing a different emotion. The physicality of those emotions is explored through both vocal expression and movement.

Within the abstract narration, each emotion relates to a specific moment in the man’s life journey. As the set suggests, there is a closed loop – or circle of life – so the end is connected to the beginning, but the emotions are not portrayed chronologically. The arias selected are unrelated and have been positioned within the framework of the production in a manner that removes that aspect of time which so often dominates human experience – simple narrative causality. This is designed to challenge our perception of the impact of emotions on our psyche – our understanding of the relationship between emotion and experience.

The number 12 was chosen because of its significance in life and history, most especially in the measurement of time; 12 as a dimension of space and time; 12 hours; 12 months; 12 stations of the moon and the sun; 12 zodiac signs; 12 chromatic notes; 12 apostles; 12 Olympians. This number contributes to the sense of universality - it connects our past to our future and connects us across cultures.

Through Kieran White’s insightful musicality and dramatic ability, we hope to create a unique bridge between Monteverdi’s powerfully beautiful music and our audience.

Designer’s note.

FRANCESCO VITALI

The action for this piece takes place in a luminous circle - like a clock that marks time. Here, however, there is no direction of time: rather, the circle represents divine strength and its link with the sky. Our character, like Leonardo’s Vitruvian man, is inside his own universe, inside the womb of mother earth. This represents the insignificance and fragility of his own existence.

The essence of our character’s existence is portrayed through the music of Monteverdi, Cavalli, and Carissimi, which creates a unique and interchangeable musical world. In their music, one experiences great flexibility, energy, and balance. The purity of their music represents true human feelings, facilitating a strong connection between performer and audience.

The costume design, created in shades of black, fosters an awareness of an inverse timeline, encouraging us to explore and deconstruct the full impact of life experiences. Whereas in life layers of emotional detritus are insidiously added, here the representative man begins his journey symbolically fully clothed, with regrets and memories, and, as he explores emotions through the music, he sheds accumulated elements. He ends naked – all the emotions have been laid bare. The addition of the bright red cloth serves as a versatile element, representing variously blood, love, fear, heat, and protection.

Kieran White, Haute-Contre Tenor.

Listen to Kieran singing Arnalta's 'Adagiati, Poppea ..Oblivion Soave' from Monteverdi's L'Incoronazione di Poppea. This recording is taken from Kieran's outstanding performance in the final of the Aria Borealis Bodø 2022 competition in Bodø, Norway with Fredrik From on theorbo. Kieran performed the role of Arnalta in July 2022 in Ensemble OrQuesta's ★★★★★ production which opened the 2022 Grimeborn Opera Festival.

'Kieran White's Oronte was a model of clarity and elegance' Opera Magazine ★★★★
ARIA BOREALIS BODØ WINNER 2022

British tenor Kieran White continues to enjoy success in the UK and is also establishing himself as a sought after artist in mainland Europe. Recent engagements include work with many of the leading ensembles in the UK and Europe including Amsterdam Baroque, Netherlands and Edvard Grieg Kor, Norway. He also performs regularly with the Monteverdi Choir under Sir John Eliot Gardiner and with Denmark’s Copenhagen Soloists. He is particularly associated with repertoire from 16th, 17th and 18th Century. Operatic engagements include Castor CASTOR & POLLUX with Warsaw Chamber Opera, Damon ACIS & GALATEA for Dorset Opera, Oronte ALCINA for the Arcola Theatre (London) and the Théâtre Basse Passière, Normandy, Arnalta L’INCORONAZIONE DI POPPEA at the Cockpit Theatre, the title-role Egisto in L'EGISTO for Hampstead Garden Opera, Hippolyte HIPPOLYTE ET ARICIE at the Arcola Theatre (London), Acis ACIS AND GALATEA for Ensemble OrQuesta, Ruggiero in Caccini LA LIBERAZIONE DI RUGGIERO and Pastore in Gagliano’s LA DAFNE for the Brighton Early Music Festival, the Sailor DIDO AND AENEAS at the Grange Festival, Valére/Tacmas LES INDES GALANTES for Ensemble OrQuesta and Pygmalion PYGMALION with Grand Siecle. Recent engagements include Arnalta in L’INCORONAZIONE DI POPPEA with Ensemble OrQuesta at the Grimeborn Festival, Arcola Theatre 2022 and a return to Warsaw Opera Kameralna in the title-role Castor in Rameau's CASTOR ET POLLUX.